It requires a considerable amount of ambivalence to capture both violence and tenderness in the same vessel. Photoptarmosis is definitely one of these containers. Inquiringly, intriguing portraits and Baroque, Caravaggio-like silhouettes, unexpectedly intertwine with a vanilla gore atmosphere, a gentle approach on shibari and the beautiful art of restraining.
Photoptarmosis is the visual project of the Italian, Bologna-based photographer Tommaso Costa. The visual artist focuses on the idea of making the viewer feel something. His photographic raw series is meant to cut deep, to provoke a psychological split in the human mind. Fun fact: as hermetic as it might sound, the notion itself – photoptarmosis – originates in old Greek, and it means “sneezing”, an uncontrollable reflex.
“I’ve always been fascinated by photography”, Tommaso told me. “I tried various themes and ideas, and I found out that what suits me most is portraiture and erotic photography, particularly shibari”. Having studied media and communication, the self-taught photographer uses art to get a better understanding of his own ideas, instead of getting attention. Even though he’s the one behind the camera, his portraits can be considered, in a way, indirect self-portraits.
Describing his process on Patreon, Tommaso Costa says: “[…] It’s challenging. I love being captured by those images and feel the need to comprehend what I’m watching, instead of just looking at them”.
All photo credits: Tommaso Costa | Photoptarmosis
Latest posts by Daniel Alexander (see all)
- An Embrace Between The Ancients—Wardruna at Herodes Atticus - September 25, 2023
- Dystopian Illustrations of Romanian Sci-Fi Magazines During Communist Era - September 18, 2022
- “The Genitalia of a Gipsy Woman” – The Portrait of a Country as Seen by Melissa Ivana - August 30, 2020