m a g a z i n e
BlackieBlueBird, the well-established dream-pop duo hailing from Copenhagen and comprised of vocalist Heidi Lindahl and composer Nils Lassen, has unveiled their fourth album, “A Symphony of Shadows”. This new release seamlessly blends their signature dreamy romanticism with a fresh, orchestral approach.
BUKVE’s debut album is the result of visibly diligent and long-term effort; like a careful collector, the artist has transcribed these events into sounds, labeled them, and filed them in this clean and personally cherished folder
‘Sounds for Crime Scenes’ is a rollercoaster of unsettling emotions and, at the same time, a carefully curated collection of tracks with high musical value.
“Each skull is an artistic tribute to animals. My love for nature is what inspires all my artwork.”
“The spark that makes me pick a certain object can never be fully explained or understood. I encourage viewers to do the same, to try not to overthink or overly interpret.”
“I’m of the conviction that once my illustrations are out there, they belong to the audience, not me.”
“I hope that my artworks can create a connection between me and the viewers, and between them and themselves.”
Picture this. Hundreds of people are chanting, stumping their feet, and clapping as the thundering drums of Norse pagans shake to the ground a 2,000-year-old amphitheatre in the heart of the ancient Greek Acropolis. Ethereal? Cathartic? Otherwordly? Try all of them combined.
From minimalistic and abstract illustrations, to outwordly sceneries and mind-bending, full blown psychedelic drawings that would make the art directors of “Foundation” TV series cry for their mamma.
Melissa Ivana: “I realized this is my creative style and it probably comes from the classic Romanian habit. Ironize everything.”