Norwegian extreme metal formation GAAHLS WYRD are now announcing their new EP “The Humming Mountain”. The 5-track EP will be released via Season of Mist on November 5. The band has furthermore released the first track ‘The Humming Mountain’, which can be heard on the official Season of Mist Youtube Channel.

Norwegian Grammy (Spellemannprisen)-winning metal outfit GAAHLS WYRD  return with new mini-album “The Humming Mountain”. Spanning five thought-provoking songs over 30-plus minutes, the mini-album continues from but challenges the tenets of the group’s lauded debut full-length, “GastiR – Ghosts Invited”.

Conceptually, “The Humming Mountain” intrinsically ties into the pre-history of its forebear, where heady, fastidious topics of origin, creation, and consciousness are pondered, explored, and conveyed to a riveting score of reflective, if sometimes vicious metal. “The Humming Mountain” resides between spaces but is wholly its own artistic entity.

I like the format of a mini-album. Back in the day, bands like Hellhammer and Celtic Frost used this format. The audience gets more from this format. To me, it’s more serious than if it’s just a few tracks. Plus, the concept of “The Humming Mountain” isn’t big enough for a full-length album. The concept was something I had to get out of my head.

Kristian ‘Gaahl’ Espedal

Three of “The Humming Mountain”’s tracks were originally slated to appear on “GastiR – Ghosts Invited” but were eventually shelved when Gaahl determined that they weren’t a conceptual fit with the rest of the album’s tracks. Indeed, not one to let good ideas die on the proverbial vine, Gaahl worked with guitarist Lust Kilman (Ole Walaunet) and producer Iver Sandøy to refashion them. Through the creative process and artful invention, ‘Awakening Remains – Before Leaving’, ‘The Dwell’. and the title track was born again for “The Humming Mountain”. The mini-album’s introspective bookends—opening epic “The Seed” and filmic closer “The Sleep”—came during and after, one song to remind listeners that patience is a virtue and the other to send them off into dream-like cogitation.

“The Humming Mountain”, however, has connections to “GastiR – Ghosts Invited” recording-wise, but it’s been reshaped. ‘The Dwell’ and ‘Awakening Remains – Before Leaving’ are more from the same foundation. We did change how we approached these songs by adding keyboards and removing bass grooves, especially on ‘Awakening Remains – Before Leaving.’ We got a different flow and pace to the final versions of the songs.

Kristian ‘Gaahl’ Espedal

While “The Humming Mountain” is a real place called Gnolloden near the Svalbard archipelago, it has no relation to the mini-album’s title or contents. Lyrically, “The Humming Mountain” is about patience. Not in the human sense of the word—though that certainly can be applied to nine-minute opener ‘The Seed’—but in the universal sense. The vibrations (hums) of creation ebb and flow sub-glacially. The intent of creation spans eons. Even the mini-album’s artwork—captured and designed by Gaahl—is part of the overall theme. The closer to “The Humming Mountain”, the farther away it appears.

I’m always searching. I’m trying to find the core of self, the core of everything. “GastiR – Ghosts Invited” dealt with being conscious about the subconscious. “The Humming Mountain” is more direct in dealing with that topic. Creation is something that happens very slowly, I believe. I connected it to ice, in a way. It’s a Norse concept, where a witch ‘hummer’ is feeding on salty ice. Out of this comes the first conscious. In Norse creationism, creation originates with sound. Of course, fire and ice are the two opponents, but every being, which are manifestations of something, are connected to humming or noise, the vibrations created by it. That’s how I arrived at “The Humming Mountain”, a slow vibration from the mountain and the slow movement of ice.

Kristian ‘Gaahl’ Espedal

GAAHLS WYRD revisited Sandøy’s Solslottet Studio (Wardruna, Crippled Black Phoenix) periodically from August 2020 through May 2021 to track and complete “The Humming Mountain”. The sessions were set apart for various reasons (schedules mostly), but the team first focused the groundwork on sound design. Gaahl, Lust Kilman, and Sandøy then pivoted to Spektre’s (aka Kevin Kvåle) drums. From there, vocals, guitars, bass, keyboards, and piano were laid down. Sandøy also helmed the mix and master.

The first thing we did was to work through the songs. This was to find the foundation of the sound and how we could reshape the sound. We focused on the sound (or voice) of the drums. We didn’t want them to be too close to the drum sound on “GastiR – Ghosts Invited”. I’ve worked on three albums with Iver this year. It’s very easy to work with him. He’s good at bringing himself into my philosophical mindset. He’s tuned into why I choose to do this or that. Usually, before we start, I explain my direction so that he can understand it, and together we can expand upon that direction. On this EP, he’s done a lot of the keys and piano parts. He’s contributed quite a lot.

Kristian ‘Gaahl’ Espedal

1. The Seed
2. The Humming Mountain 
3. The Dwell
4. Awakening Remains – Before Leaving
5. The Sleep

Though “The Humming Mountain” reveals a more contemplative side to GAAHLS WYRD, fans of stunners ‘Ek Erilar’, ‘Carving the Voices’, and ‘Through and Past and Past’ will find new tracks ‘The Dwell’, ‘Awakening Remains – Before Leaving’, and the title track equally engaging, while ‘The Seed’ and ‘The Sleep’ are destined to open new doors with their mercurial angst and picturesque, if involuted themes. Indeed, “The Humming Mountain” sets the stage for GAAHLS WYRD’s next chapter.

We’ll release the mini-album next. After that, it all depends on how things open up for us to tour. There will be shows in Europe for sure, though. In a way, I hope the pandemic situation may continue for a bit longer. It’s a good time for studio work. So, I hope not to be too disturbed by touring to continue to do more studio work. We’re about to enter the studio for the next full-length.

Kristian ‘Gaahl’ Espedal

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Photos: (c) Jorn Veberg