Electro Prog Sensation Voyager will transmit to the universe a special edition online show direct from Perth, Western Australia this September. Following the success of their debut online show that served fans during the first lockdown, Voyager has now expanded its horizons and announced a unique once-in-a-lifetime performance that spans the band’s extensive career. 

‘A Voyage Through Time’ sees Perth’s premiere Progressive Metal outfit Voyager present a one-of-a-kind visual and aural performance that outlines the progression of their musical career. An online live experience with full production, a journey across two decades and seven albums with a fan-voted setlist, seeks to explore a new and enhanced approach to the band’s live show serving to grab the attention of both their Australian and international fan base and as a tribute to the songs that have stayed with fans over time.

The show will air on Sunday, September 5, a date which celebrates the Voyager 1 Spacecraft that was launched by NASA. 

Save the date. Buy tickets HERE.

Frontman Danny Estrin comments: “Voyager will return to the world stage in full force this September for a cosmic show that spans the entirety of our career. Inspired by a fan-curated setlist, and songs that we haven’t performed in years, we’re plotting an insane live production that displays the progression of our music over the course of two decades and seven albums. We’re here to deliver a show that is truly A Voyage Through Time. Expect Voyager to live as you have never seen us before.”

Since their 1999 formation, whatever genre norms, boundaries, and regulations thrust upon Perth, Australia’s Voyager have been smashed. They embrace, if not brandish pop; employ a keytar on stage, and, bring forward a positive, if not uplifting feeling to their music, running head-first into the endless parade of heavy bands who see the world in a different light. It’s perhaps why the title of their seventh full-length and first for Season of Mist, “Colours in the Sun”, is apropos: Voyager simply prefers to see the bright side of things.

“Observations of the malaises of the modern world and the baffling obsession with purity and difference all make me think,” says frontman and founding member Danny Estrin. “We’ve never had it better and we’ve never had it more colorful. To me that’s progress, it’s an adaptation, it’s evolution and it’s astounding.”

The follow-up to 2017’s “Ghost Mile”“Colours in the Sun” finds Voyager enmeshed in rich, melodic, song-first tapestries, led by Estrin’s smooth, capable clean vocal delivery. Estrin is self-aware of his vocals, calling them “unique and ‘80s.” But whatever tag Estrin affixes to his voice, they are the propellent throughout “Colours in the Sun”, serving up a steady diet of soaring, emotive choruses, where the melody is paramount and along the way, even getting some help from another distinctive belter, Leprous’s Einar Solberg on “Entropy”.  

“Einar and I became good friends on our tours through Europe and Australia,” notes Estrin. “I couldn’t help but ask him to guest on the album. He is a fantastic musician and vocalist. I sent him a reference track which he swiftly ignored and laid his own tracks down. The result is stunning!”

The kaleidoscope of sounds that comprise the album’s ten cuts is the result of Voyager’s far-reaching influences, many of which go beyond the traditional realms of metal and rock. Estrin calls it “catchy at the top, proggy at the bottom as if Dream Theater and Depeche Mode had a baby.” It’s almost as if the term “progressive” is too limiting for Voyager, particularly when the guitar tandem of Simone Dow and Scott Kay merge for complex rhythms while doing battle against Estrin’s vaudeville-like keyboards (!) on “Reconnected.”

The “proggy at the bottom” notice is served by way of the rhythm section of bassist Alex Canion and drummer Ashley Doodkorte, who stretch their musical tentacles across busy, active cuts such as “Saccharine Dream” and the syncopated “Water Over the Bridge.” “I think we found our ‘voice’ on V (2014) and have been building on that ever since,” says Estrin. “The synthwave prog sound is really something that has naturally developed and has been refined even more on the new album. Every record is progress — that’s what progressive music is all about!”

According to Estrin, the “Colours in the Sun” album title encompasses a “vibrant multitude of people coming together under the hot Australian sun to create a beautiful and colorful soundscape.” It’s capped off by artwork courtesy of Doodkorte, who made the piece out of photographs near his house in Perth. A closer inspection reveals there are seven suns on the cover, one for each Voyager album, topped off by an updated version of the band’s logo comprised of five strokes, one for each member. No doubt a fitting visual summation of a band whose progress can be described in the most literal and figurative of terms.

“It’s been a slow steady growth over the years,” concludes Estrin. “Other bands come and go after a year of fame. I really feel like we’ve built up an incredible fanbase, especially over the last decade, and the deal with Season of Mist seemed the logical step to take it to the next level together.”

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Cover photo: (c) Dark Spirit Photography