Celluloid, the new short movie directed by Marco Brambilla, and produced by Artjail is basically a black and white painting in motion. Or a hardcore .gif, if you will. The whole procedure that underlie the 2:30 movie can be synthesized into one single word: degradation. We’ve talked before about the creative destruction, a concept that is valid only for the contemporary art.
“The film was originally shot on Red Camera then effected in Autodesk Flame. We created transitions stitching multiple takes into one seamless clip and digitally hand painted degradation techniques to the footage. Out of the Flame the footage was scanned to 35mm motion picture film, where it was further degraded in multiple passes using bleach and other photo chemical processes the talented Josh Lewis. Those results were then loaded back into the flame where we used elements of the multiple degraded film prints to create more specific degradation.“
So simple, right? Right? NOT. The extraordinary thing is that the result has a beauty far from the technical destructive process applied by the artists. Besides the kiss and the tenderness brought in by the film’s main subject, the other single beautiful thing might be the music by Nicholas Jaar.
Watch the full short film here:
More of Brambilla’s projects, here.
You Might Want To Check These Out:
Latest posts by Daniel Alexander (see all)
- (Interview) Jonathan Bree: “Art is healthier when it is in the shadows” - September 29, 2018
- Get High Watching Nic Cage Slashing Religious Freaks in ‘Mandy’ (2018) - September 23, 2018
- Lucky Girls Are The Ones Caught on Film Smiling – Eliot Michl - September 16, 2018